Posts tagged “cool”

Vulture:

Suddenly, anybody could shoot and edit a video, building the vocabulary of what that could look like: transition videos, lip syncs, and green-screen-driven storytelling began to cohere as distinct subgenres. That’s only accelerated in the age of TikTok, an app that offers more and easier editing tools for users than any that came before it.

Online video is an inherently communal form; it’s defined by thousands of people iterating on the same idea. Every once in a while, though, there’s a leap forward. Every video on this list represents an evolution in the form or exemplifies a particularly influential editing style — whether the creator was one of the first to attempt it, or just pulled off a jaw-dropping editing feat all their own.

Found this wonderful YouTube channel on Kottke.org. I have to admit I wasn’t expecting it to be so thought-provoking:

Our brains play tricks on us to make us believe the world looks one way, but the world looks different at night than in the day, and both of those things have more to do with the physiology of our eyes and brains than with objective reality. Asking what a microbe actually looks like is, to some extent, forcing our own experience onto something that is beyond it.

If, like me, you somehow recognize the narrator’s voice, that’s because it’s Hank Green (!).

George Cave:

Piloting an ocean exploration ship or Martian research shuttle is serious business. Let’s hope the control panel is up to scratch. Two studs wide and angled at 45°, the ubiquitous “2x2 decorated slope” is a LEGO minifigure’s interface to the world.

These iconic, low-resolution designs are the perfect tool to learn the basics of physical interface design. Armed with 52 different bricks, let’s see what they can teach us about the design, layout and organisation of complex interfaces.

Welcome to the world of LEGO UX design.

Lessons from the Screeplay:

An action scene, just like any other scene, should help expose a character’s true self. But in the case of “Casino Royale,” the opening action sequence needed to do even more than that. It needed to introduce the world to a whole new James Bond.

So today, I want to dissect the film’s freerunning chase sequence to see how it uses action to develop the characters, to examine how it forces the protagonist to make choices which reveal his key characteristics, and to demonstrate how its underlying structure brings Bond’s deepest flaw to the surface.

Casino Royale is the best.

Simon Weckert:

99 second hand smartphones are transported in a handcart to generate virtual traffic jam in Google Maps.Through this activity, it is possible to turn a green street red which has an impact in the physical world by navigating cars on another route to avoid being stuck in traffic.

What happens when you get a kid from Brooklyn, a radioactive spider, and some leitmotifs and mix them all together?

Toy Story 4 looks incredible, almost hyper-realistic. And it’s not a simple matter of technology getting better; there is artistic intent in the imperfections that give it that edge. Among other techniques, Pixar is simulating real-world camera lenses (along with their limitations). Evan Puschak explains:

Animation has always drawn from the lessons of live action film, from the visual language of cinematic storytelling. Everyone who worked on Toy Story 4 understands that the imperfections — the way a lens distorts, or a camera operator shakes, or a light bounces — contain their own expressive potential. And when you combine these with the limitless world of animation, the results can be stunningly tactile.

I hadn’t noticed that split diopter shot — it’s brilliant.

Danny Dimian, Visual Effects Supervisor, and Josh Beveridge, Head of Character Animation, for “Spider-Man: Into the Spider-Verse,” share exclusive breakdowns and talk about their inspiration and the techniques they used to create a new visual language for their Academy Award-winning film.

Digital archeology — a working simulation of the first ever web browser:

In December 1990, an application called WorldWideWeb was developed on a NeXT machine at The European Organization for Nuclear Research (known as CERN) just outside of Geneva. This program – WorldWideWeb — is the antecedent of most of what we consider or know of as “the web” today.

In February 2019, in celebration of the thirtieth anniversary of the development of WorldWideWeb, a group of developers and designers convened at CERN to rebuild the original browser within a contemporary browser, allowing users around the world to experience the origins of this transformative technology.

It’s amazing just how resilient and backwards-compatible HTML is. My site is already quite usable in WorldWideWeb, but now I’ll have to resist the urge to add some optimizations for 1990 web users.

A remarkable visualization of emergence at work. The close-up shots of the circulatory system look straight out of a trippy sci-fi horror film.

Lovely.

This is one hell of a tiny homemade documentary.

Graphic design work on Incredibles 2 was brilliant, as expected. But there was one glaring exception, conspicuously missing from this post: the atrocious Edna Mode logo.

Colin Morris, for The Pudding:

What does this have to do with pop music? The Lempel-Ziv algorithm works by exploiting repeated sequences. How efficiently LZ can compress a text is directly related to the number and length of the repeated sections in that text.

Clever and well-executed dataviz porn.