Notes, page 3

A very cool sensorial experience, but emotionally shallow. It tries, but there’s too much time bullshit for character motivations and plot structure to survive. A movie made for endless YouTube explainers.

Solid genre entertainment. Not much more than what I expected, but it’s well done, straightforward, looked cool. 90 minutes club!

Kirsten Stewart has the best shaky hands I’ve ever seen on film. This movie is worth watching for her performance alone. The rest of the cast was… okay.

In the end I was left with some questions: Was this at some point meant to be a Cloverfield sequel? Why does it look like it was edited for commercial breaks? Were the voice-overs really necessary? Was the girlboss-beat-drop end credits song picked by a focus group?

I’m glad women can use violence for good too, but this movie is… kinda basic? It’s as if they couldn’t get approval for “girl power” without putting in some bad tropes and clichés to balance it out. Yes, representation matters, but it depresses me that this is what we’re settling for as progress. Excusing it as an escapist piece of pulpy action would be fine, but I don’t think it’s very good at that, either.

Put Awkwafina in every movie

Silly me, I thought this was going to be a film about famous automotive designer Carroll Shelby designing and building a car from scratch. Nope, at some point Matt Damon just pulls a tarp and there it is — the car got designed and assembled off-screen and just needs some tweaks under the hood. The design differences that give Ford an edge over Ferrari are never quite explored except for “ours is faster” and “Italians are arrogant.” I guess dramatizing the design process doesn’t quite fit into the standard cookie-cutter biopic formula.

This story has a point to make and the film certainly gets to it. The nonlinear editing wasn’t hard to keep up with, but it feels like an attempt at injecting more nuance and challenge into a script that didn’t have much of either. There are several effective emotional moments, but as a whole it just didn’t reach me on a very profound level. It might simply not be for me, or I might have ruined it by watching Uncut Gems right before.

Saoirse Ronan and Florence Pugh were brilliant. I know Emma Watson is like that in real life too, but on camera her acting always looks a bit over the top. And I can’t say I cared for Laura Dern’s performance as the saint-level impossibly emotionally stable mother. And boy was casting Bob Odenkirk a mistake — I couldn’t control my laughter when he showed up, and all attempts at seriousness just failed whenever he was on screen.

Despite all the faults I saw in it, I still very much enjoyed my time with the film. It’s refreshing to see a drama where everyone is just so nice every now and then.

The world feels a little different after watching Uncut Gems, and I don’t know that I can pay a bigger compliment to a work of art.