This story has a point to make and the film certainly gets to it. The nonlinear editing wasn’t hard to keep up with, but it feels like an attempt at injecting more nuance and challenge into a script that didn’t have much of either. There are several effective emotional moments, but as a whole it just didn’t reach me on a very profound level. It might simply not be for me, or I might have ruined it by watching Uncut Gems right before.
Saoirse Ronan and Florence Pugh were brilliant. I know Emma Watson is like that in real life too, but on camera her acting always looks a bit over the top. And I can’t say I cared for Laura Dern’s performance as the saint-level impossibly emotionally stable mother. And boy was casting Bob Odenkirk a mistake — I couldn’t control my laughter when he showed up, and all attempts at seriousness just failed whenever he was on screen.
Despite all the faults I saw in it, I still very much enjoyed my time with the film. It’s refreshing to see a drama where everyone is just so nice every now and then.