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All Posts, page 27

  3. Annihilation (2018)
    filmfreakcentral.net

    Walter Chaw feeds into my obsession with this weird, wonderful film:

    What’s impressive is Annihilation’s willingness and ability to evoke the soul-sickness that leads to great moments of art, great moments of self-destruction, and an equation of the two. Its heroes suffer from cinematic time: years can pass and outside the theatre it’s a mere two hours. They suffer, too, from this idea that you can enter into a space, experience something that is entirely alien, and then re-emerge struggling to articulate the crucible of your experience. How many versions of your old selves have you left behind in a museum, a theatre, a concert hall, a book? Is it a thousand? How many new versions have emerged into the uncanny bright of the day outside?

  6. The Room

    2003 film

    Watched 3 March 2018

    I have no idea how to assign a rating to this, so I won’t.

    Schadenfreude aside, I mostly just wanted it to be over. Yet I’m somehow glad I watched it. I can understand why people latch onto it, but I’m not counting myself among them.

  7. Coco ★★★★☆

    2017 film

    Watched 26 February 2018

    It’s almost impossible not to love this film — it’s adorable and wholesome and beautiful. I find it great to see Pixar’s push for diversity keep paying off, and their technical prowess keep noticeably improving, ever on a league of their own. The sheer vibrancy, scale, and depth of the design and animation work that went into this film is astounding.

    I cried on cue every time I was supposed to. The tearjerking formula is as effective as ever, yet feeling more and more predictable and manipulative, no matter how well-intentioned.

    Brad Bird says “animation is not a genre”, but I’m afraid Pixar movies might be turning into one — with very specific and recognizable themes, tropes, and character arcs. I’d really like to see a wider range of story types coming from Pixar, maybe even exploring the direction the excellent Borrowed Time short went in. Let’s see what Bird does with Incredibles 2 this year, though I’m not holding my breath for a revolution.

  9. Three Billboards Outside Ebbing, Missouri ★★★☆☆

    2017 film

    Watched 25 February 2018

    Sharp wit, fantastic acting, and all the panache of a big Oscar film. But story-wise, doesn’t seem like a particularly worthwhile exploration of any of the themes it presents — small-town America, anger, hate, blame, redemption — they’re treated heavy-handedly, often sacrificing depth for the sake of being funny or provocative (oh god, the daughter scene). That shallowness might be intentional, but it left no room for me to empathize with any of the characters.

  10. Lady Bird ★★★★★

    2017 film

    Watched 25 February 2018

    Instantly charming, emotionally charged, and flawed in all the right ways. A restrained, impeccably edited 90-minute runtime. I came in optimistic, but I never expected a perfect coming of age film.

  11. Thor: Ragnarok ★★★☆☆

    2017 film

    Watched 17 February 2018

    I appreciated the charm and levity that Taika Waititi brought to this film, but it wasn’t enough to shake the feeling I get from most Marvel movies: a deep emotional inconsequence and lack of introspection. And when Benedict Cumberbatch’s ridiculous character shows up for a completely unnecessary five minute scene, it’s blindingly obvious why that is — there can be no intimacy when every character has (or potentially will have) their own franchise begging for your attention.

  13. Everything Easy is Hard Again
    frankchimero.com

    Frank Chimero:

    At first I was bummed about my studio’s lack of visible progress, but then it hit me: what if I nailed it? Why change if it’s working? I’ve been able to approach a lot of different projects from many different angles, and I’m happy to report that I’ve gotten pretty good at a lot of it! Time and practice really do help.

    Except with the websites. They separate themselves from the others, because I don’t feel much better at making them after 20 years. My knowledge and skills develop a bit, then things change, and half of what I know becomes dead weight. This hardly happens with any of the other work I do.

    I wonder if I have twenty years of experience making websites, or if it is really five years of experience, repeated four times. If you’ve been working in the technology industry a while, please tell me this sounds familiar to you.

  14. The Cloverfield Paradox ★★☆☆☆

    2018 film

    Watched 5 February 2018

    Damn, what a trainwreck. This felt like a horribly mangled victim of production hell and committee-mandated rewrites. Seems quite obvious that it was dispatched to Netflix because of that, not as some kind of genius marketing ploy.

    I wish they’d just stuck with the Event Horizon-esque horror bits — those were at least fun and unexpected. Here’s hoping they forget this ever happened and get back to the anthology format that worked so well for the other movies.

  15. Black Mirror: Metalhead ★★★★☆

    2017 TV show

    Watched 7 January 2018

    I understand that it might not be to everyone’s tastes, but I loved the simplicity of this one. Tense, cinematic, more grounded than the average Black Mirror episode. Includes what’s probably the best-designed piece of tech in the entire series, and not a single shot of clumsy CGI. Could have done without the boring tree scene, but otherwise one of my favorites.

  16. Black Mirror: Black Museum ★★★☆☆

    2017 TV show

    Watched 7 January 2018

    Black Mirror seems to be getting more samey, with ever-less varied stories that rely way too much on lampshading (i.e. the plot acknowledging its own silliness to avoid looking absurdly implausible).

    This episode had some great ideas, but it felt like the biggest manifestation of those problems. Plus, it breaks what I took to be an unwritten rule of Black Mirror: no cross-episode continuity. The idea that all of this weird shit might be taking place in the same universe only detracted from my experience.