Designing Beautiful Shadows in CSS
joshwcomeau.com
Josh Comeau:
In this tutorial, we’ll learn how to transform typical box-shadows into beautiful, life-like ones.
Josh Comeau:
In this tutorial, we’ll learn how to transform typical box-shadows into beautiful, life-like ones.
Elise Blanchard:
To truly understand the origin and evolution of hyperlinks though, I took a journey through technology history and interfaces to explore how links were handled before color monitors, and how interfaces and hyperlinks rapidly evolved once color became an option.
Watched 19 August 2021
I learned that Toni Collette is australian in real life. Next: do solar storms actually look like that? This movie is great at making me want to check Wikipedia.
Watched 12 August 2021
Release, at last.
Played 20 March 2020 – 27 April 2021 on Nintendo Switch
Just… so many good feelings from this game. I’ll cherish it forever.
Watched 22–24 April 2021
Once again this show attempts to strike a good balance between People Drama and Society Drama, but this season’s timeskip tilted the scales and made it clear that the long game is always going to be about the societal outcomes first. Character moments are less emotionally effective as a result, but boy is the spectacle of the alternate timeline geopolitics worth the tradeoff. Season 1 got me invested. But now I’m excited.
Watched 19–22 April 2021
I’m super into this space trauma and societal progress nerdfest.
It may sometimes feel predictable and clichéd but I just want to engross myself in this alternate history, and the level of realism is more than good enough to support that by my standards.
Watched 21 April 2021
Like leafing through a big coffee table book. Not particularly insightful, but very nice pictures.
This terrific short story by qntm contemplates the hellish potential consequences of brain uploading, in the form of a typically impassive Wikipedia entry:
MMAcevedo (Mnemonic Map/Acevedo), also known as Miguel, is the earliest executable image of a human brain. It is a snapshot of the living brain of neurology graduate Miguel Álvarez Acevedo (2010–2073), taken by researchers at the Uplift Laboratory at the University of New Mexico on August 1, 2031.
Rewatched 8 April 2021
The uncanny valley between the ponderous Godzilla 2014 and the bombastically campy Godzilla vs. Kong. I’m sorry but if you want to make a serious movie you have to stick to the serious monsters, you can’t put on the three-headed electric dragon and big moth. Pokémon aren’t scary.
Found this wonderful YouTube channel on Kottke.org. I have to admit I wasn’t expecting it to be so thought-provoking:
Our brains play tricks on us to make us believe the world looks one way, but the world looks different at night than in the day, and both of those things have more to do with the physiology of our eyes and brains than with objective reality. Asking what a microbe actually looks like is, to some extent, forcing our own experience onto something that is beyond it.
If, like me, you somehow recognize the narrator’s voice, that’s because it’s Hank Green (!).
Watched 31 March 2021
Silly as heck. No hesitation. This movie delivers.
CGP Grey’s take on Powers of Ten is very beautiful and evocative and terrifying.
Watched 16 December 2020 – 3 February 2021
This series has built so much, and gone so far. The transition from “Game of Thrones in space” to one of the most poignant human dramas in science fiction has been a true joy to witness.
Rewatched 14 January 2021
More exciting than I remembered, but still disappointing and, at best, inessential. It tries too hard, and also not hard enough. Like most TV-to-film adaptations, the texture feels wrong. Character-wise, the plot isn’t much more than condensed retreading of old ground. And worst of all, it shows too much! It’s certainly a big-screen adventure, but the desire for one-upmanship has the side effect of making the world, the conspiracies, and even the aliens seem small and shallow.
Robin Rendle:
It bothers me that writers can’t create audiences on their own websites, with their own archives, and their own formats. And they certainly can’t get paid in the process.
The web today is built for apps—and I think we need to take it back.