Feed, page 3

  1. Reducing motion with the picture element
    bradfrost.com

    Brad Frost:

    I was just talking with Dave about the accessibility of moving images on the web, and he said:

    hm… I wonder if you could use picture + prefers-reduced-motion?

    He then sends the following code:

    <picture>
      <source srcset="no-motion.jpg" media="(prefers-reduced-motion: reduce)"></source> 
      <img srcset="animated.gif alt="brick wall"/>
    </picture>
    

    Whoa! This is a revelation.

  2. Game of Thrones, Season 8

    TV Show, 2019

    Watched 21 May 2019

    It is still mindblowing that this show could get made, but it’s a shame that it couldn’t quite fill its own shoes towards the end. Guess I’ll read the books, then.

  3. He Crossed the Atlantic in a Barrel.
    nytimes.com

    Emily S. Rueb interviews Jean-Jacques Savin, a French adventurer who “spent 127 days alone in a large, barrel-shaped capsule made of plywood, at the mercy of the winds and currents.” It sounds like he had a lovely time:

    If it was nice, I swam, and dove underneath the barrel to catch a fish, sea bream, to supplement my meal.

    I made a breakfast in the morning, and a nice dinner in the evening. I had a lot of time to write my book. I played a lot of bluegrass on my mandolin.

  4. Let People Enjoy Things
    medium.com

    Esther Rosenfield:

    It’s no coincidence that you never see the comic posted in response to criticism of some understated indie drama or underground Bandcamp musician. You only ever see it used to defend the commercial output of mega-corporations; your Marvel, your Game of Thrones, your Ariana Grande, etc. It’s no surprise, either. A recent development in corporate art is the positioning of it as a cultural underdog, constantly under siege from Haters and Trolls. You see it most with the nerd properties mentioned above. They parry the childhood fear of being bullied for liking nerd stuff into the suggestion that those bullies are still out there, waiting to pounce, and they take the form of everyone who dares to not like the IP in question.

  5. Underlines Are Beautiful
    adrianroselli.com

    Adrian Roselli:

    Underlines, the standard, built-in signifier of hyperlinks, the core feature of the web, are beautiful.

    This is objectively true. They are aesthetically one of the most delightful visual design elements ever created.

    They represent the ideal of a democratized information system. They are a frail monument to the worldwide reach of ideas and discourse. They are proof of our ascension from trees and swamps, a testament to our species’ intelligence, and a witness to our inevitable downfall.

    ❤️

  6. Details / Summary Are Not [insert control here]
    adrianroselli.com

    Adrian Roselli:

    Once major browsers started supporting <details> & <summary> developers immediately started to play with them to see what sorts of patterns they could enhance or replace. This is a good thing. Experimentation pushes boundaries, improves understanding.

    However, we need to be careful of christening this new-to-us interaction as the solution to all our coding struggles.

  7. Into the Breach Design Postmortem
    youtube.com

    In this 2019 GDC session, Subset Games co-foudner Matthew Davis details the Into the Breach design process from early drafts to the final balancing decisions. Davis dives into years of cut content and iteration to show how Subset Games approached the difficult design challenges of making Into the Breach.

  8. The Final Girls

    Film, 2015

    Watched 25 April 2019

    I was pleasantly surprised by how genuinely funny and creatively consistent this movie is — and it’s clear that everyone was having fun while making it. Pretty great!

  9. The Hitman’s Bodyguard

    Film, 2017

    Watched 25 April 2019

    You can tell that they tried (most of the time), but it’s not as sharp as it clearly thinks it is. Also, they shouldn’t have let Ryan Reynolds pick all the songs.

  10. Freedom
    inessential.com

    Brent Simmons:

    In a way, it feels like iOS devices are rented, not owned. This is not a criticism: I’m totally fine with that. It’s appropriate for something so very mass-market and so very much built for a networked world.

    But what about Macs?

    Macs carry the flame for the revolution. They’re the computers we own, right? They’re the astounding, powerful machines that we get to master.

    Except that lately, it feels more and more like we’re just renting Macs too, and they’re really Apple’s machines, not ours.