Links

Wonderful talk about pixel fonts by Marcin Wichary.

Taylor Lorenz:

When the pandemic broke out, people on TikTok and other apps began referring to it as the “Backstreet Boys reunion tour” or calling it the “panini” or “panda express” as platforms down-ranked videos mentioning the pandemic by name in an effort to combat misinformation. When young people began to discuss struggling with mental health, they talked about “becoming unalive” in order to have frank conversations about suicide without algorithmic punishment. Sex workers, who have long been censored by moderation systems, refer to themselves on TikTok as “accountants” and use the corn emoji as a substitute for the word “porn.”

“One, it doesn’t actually work,” she said. “The people using platforms to organize real harm are pretty good at figuring out how to get around these systems. And two, it leads to collateral damage of literal speech.” Attempting to regulate human speech at a scale of billions of people in dozens of different languages and trying to contend with things such as humor, sarcasm, local context and slang can’t be done by simply down-ranking certain words, Greer argues.

Andy Greenberg:

Hutchins hadn’t found the malware’s command-and-control address. He’d found its kill switch. The domain he’d registered was a way to simply, instantly turn off WannaCry’s mayhem around the world. It was as if he had fired two proton torpedoes through the Death Star’s exhaust port and into its reactor core, blown it up, and saved the galaxy, all without understanding what he was doing or even noticing the explosion for three and a half hours.

Vulture:

Suddenly, anybody could shoot and edit a video, building the vocabulary of what that could look like: transition videos, lip syncs, and green-screen-driven storytelling began to cohere as distinct subgenres. That’s only accelerated in the age of TikTok, an app that offers more and easier editing tools for users than any that came before it.

Online video is an inherently communal form; it’s defined by thousands of people iterating on the same idea. Every once in a while, though, there’s a leap forward. Every video on this list represents an evolution in the form or exemplifies a particularly influential editing style — whether the creator was one of the first to attempt it, or just pulled off a jaw-dropping editing feat all their own.

Josh Comeau:

In this tutorial, we’ll learn how to transform typical box-shadows into beautiful, life-like ones.

Elise Blanchard:

To truly understand the origin and evolution of hyperlinks though, I took a journey through technology history and interfaces to explore how links were handled before color monitors, and how interfaces and hyperlinks rapidly evolved once color became an option.

This terrific short story by qntm contemplates the hellish potential consequences of brain uploading, in the form of a typically impassive Wikipedia entry:

MMAcevedo (Mnemonic Map/Acevedo), also known as Miguel, is the earliest executable image of a human brain. It is a snapshot of the living brain of neurology graduate Miguel Álvarez Acevedo (2010–2073), taken by researchers at the Uplift Laboratory at the University of New Mexico on August 1, 2031.

Found this wonderful YouTube channel on Kottke.org. I have to admit I wasn’t expecting it to be so thought-provoking:

Our brains play tricks on us to make us believe the world looks one way, but the world looks different at night than in the day, and both of those things have more to do with the physiology of our eyes and brains than with objective reality. Asking what a microbe actually looks like is, to some extent, forcing our own experience onto something that is beyond it.

If, like me, you somehow recognize the narrator’s voice, that’s because it’s Hank Green (!).

CGP Grey’s take on Powers of Ten is very beautiful and evocative and terrifying.

Robin Rendle:

It bothers me that writers can’t create audiences on their own websites, with their own archives, and their own formats. And they certainly can’t get paid in the process.

The web today is built for apps—and I think we need to take it back.

Important content.

Super interesting new stuff from Cloudflare:

Durable Objects provide a truly serverless approach to storage and state: consistent, low-latency, distributed, yet effortless to maintain and scale. They also provide an easy way to coordinate between clients, whether it be users in a particular chat room, editors of a particular document, or IoT devices in a particular smart home. Durable Objects are the missing piece in the Workers stack that makes it possible for whole applications to run entirely on the edge, with no centralized “origin” server at all.

Will Schreiber:

I haven’t installed MSFT Office on a machine since 2009. Sheets and Docs have been good enough for me. The theoretical unlimited computing power and collaboration features meant Google Docs was better than Office (and free!).

Then something happened at Google. I’m not sure what. But they stopped innovating on cloud software.

Docs and Sheets haven’t changed in a decade. Google Drive remains impossible to navigate. Sharing is complicated. Sheets freezes up. I can’t easily interact with a Sheets API (I’ve tried!). Docs still shows page breaks by default! WTF!

Dave Rupert:

I’ve thought about these questions for over a year and narrowed my feelings of browser diversity down to two major value propositions:

1. Browser diversity keeps the Web deliberately slow
2. Browser diversity fosters consensus and cooperation over corporate rule

They are similar, but slightly different concepts for me.

George Cave:

Piloting an ocean exploration ship or Martian research shuttle is serious business. Let’s hope the control panel is up to scratch. Two studs wide and angled at 45°, the ubiquitous “2x2 decorated slope” is a LEGO minifigure’s interface to the world.

These iconic, low-resolution designs are the perfect tool to learn the basics of physical interface design. Armed with 52 different bricks, let’s see what they can teach us about the design, layout and organisation of complex interfaces.

Welcome to the world of LEGO UX design.

Adrianne Jeffries and Leon Yin look into how Google search gives preferential treatment to Google’s own results:

In Google’s early years, users would type in a query and get back a page of 10 “blue links” that led to different websites. “We want to get you out of Google and to the right place as fast as possible,” co-founder Larry Page said in 2004.

Today, Google often considers that “right place” to be Google, an investigation by The Markup has found.

We examined more than 15,000 recent popular queries and found that Google devoted 41 percent of the first page of search results on mobile devices to its own properties and what it calls “direct answers,” which are populated with information copied from other sources, sometimes without their knowledge or consent.

When we examined the top 15 percent of the page, the equivalent of the first screen on an iPhone X, that figure jumped to 63 percent. For one in five searches in our sample, links to external websites did not appear on the first screen at all.